Mariana Castillo Deball: Ixiptla Volume V Amarantus

The word amarantus, which gives name to this publication, comes from the Greek aμάρανθος, and describes a flower that never wilts. This plant is still used to prepare ixiptlahuan, which are anthropomorphic and zoomorphic figures that are ritually consumed by some indigenous peoples in Mexico. The amaranth flower represents the persistence of the “uncomfortable objects” that Castillo Deball makes visible in her historical itineraries and approximations, and that keep speaking to us in the present.

This publication features some of the artist’s long-term collaborators and interlocutors, including: Tatiana Falcón, with whom she made The Painter’s Garden; the organization Cooperación Comunitaria for The Double Life of the Azoyú Codex; Diana Magaloni around the term ixiptla and In Tilli in Tlapalli; Hubert Matiúwàa, through poems from his book Skin People; Barbara Mundy on cartography and the artist’s floor pieces; Jennifer Reynolds-Kaye on Alfred Maudslay; and Catalina Lozano about the history of women who have practiced archaeology in Mexico.

The publication also includes the essay A Dystopic Mesoamerica by Yásnaya Elena and an excerpt of Emiliano Monge’s novel Weaving Darkness.

- Paperback
- 208 pages, 9.8 x 8.6 inches
- Published by Bom Dia Boa Tarde Boa Noite, 2023